Choir singers
Hear your section in context and work on difficult passages between rehearsals.
Find your place in the harmony. Separate a choir recording into soprano, alto, tenor and bass, then hear your part clearly or rehearse against the other voices.
Use an a cappella performance, an existing choir stem or a choir recording with accompaniment.
Choose the input mode and create soprano, alto, tenor and bass outputs. SATB means these four standard choir sections.
Solo a part to learn it, raise its volume against the ensemble, or mute it for a sing-along challenge. Export the mix for practice.
Create practice tracks from the choir audio you already use.
Hear your section in context and work on difficult passages between rehearsals.
Prepare section-specific listening material from a reference or rehearsal recording.
Highlight entries and harmonies for the singers in your section.
Demonstrate how four-part harmony works by bringing sections in and out.
It estimates separate voice sections from a combined choir recording. Lacuna targets soprano, alto, tenor and bass so you can listen to a section on its own or build a practice mix around it.
SATB stands for soprano, alto, tenor and bass: four common voice sections in a choir. SATB separation produces section-level audio, not a separate file for each singer.
Yes. Upload your reference or rehearsal recording, choose whether it contains accompaniment, and separate it. Solo or raise your part while learning, then lower it and export a mix for practice.
Choose Choir with accompaniment when instruments are present. The workflow separates a vocal layer before the SATB split. When an instrumental backing is returned as an additional output, you can bring it into your rehearsal mix.
No. The tool works with the four SATB sections. Divided soprano or alto lines may remain together, and soloists, unison passages or closely overlapping ranges can be difficult to assign cleanly.
The browser workspace is for creating choir practice tracks from audio you upload. It does not provide a catalog of scores or pre-recorded rehearsal parts, and it does not synthesize parts from sheet music.
Yes. Mute or lower your section in the mixer, keep the other sections audible and export the result. You can also keep your part quietly in the background as a guide.
Closely blended vowels, shared pitches, room reverb and crossing voice ranges can leave bleed or artifacts. Use the result as listening support and check unclear notes against the score or a rehearsal leader.
Upload a choir recording and build a rehearsal mix around your voice section.